K.

前兩天w的臉又浮出我的夢裡，我幾乎要忘記了他是什麼人。索性連聽了Tori Amos數日，我寫著程式邊掉眼淚，我只是回到很熟悉不可名狀的狀態，那個狀態讓人難過想死。但練習過的悲傷演練多次以後，黑絲絨的怪氣會在幾小時後自動散去。

我看到的愛情沒能告訴我方向 我只為藝術而活
這話說來猖狂毫無實質票卷意義但對我來說卻是無比明確

當Patti Smith初見the door的表演時，僅僅沈靜的看著Jim Morrisson，時常我蹲在黑色地毯上想著也是這麼一件事情，他們看到的與我看到的並無二致，而他們的枯竭焦慮我早已走過不回頭了。 

Exist is not the issue if I don't survive

我聽著他的鼻息，他沈沈入睡，微微的氣體通過表皮上薄薄的肌膚，窸窸窣窣。

最後他打起呼嚕聲，我聽著，覺得安心。

我走在路上看著北極星發亮，我總是習慣於訕笑別人的天真愚蠢與世故。我的諷刺越發激烈，攻擊性越強，於是最終沒人願意在與自大的我言語上妥協交往。

我沈迷在遊戲人間，我以為我只是繞個路前往北極星。

我不知道寫了一座城市可以帶來什麼，因人們只發現玩弄房地產所帶來的短期附加價值。

我想我的城市只是坐落我的空虛寂寞，只是實現我與人世間的互相價值，所謂肯定。

我想我的城市只是複雜化我每一步的錯誤，以合理我過去的步伐都在軌道上，但這些路鋪著鋪著還是在這二維空間上打轉，我到不了北極星。

他的影像很理性，像是剔除腸泥的蝦子肉，乾乾淨淨的毫無感情。因為他正是要分析感情，分析存在，所以他不能有任何感情，他總是站在外面看著的。

看著我的角色變成了她而最終全成為了她，我望著角色原來自己曾經是被這樣解讀，我望著角色原來她其實正是她，我僥倖地想著，這樣很好。

市區地路空曠，這裡不是台北市。chilly chilly 寒冷往我衝來，我開始想起在22歲畏首畏尾的把靈活藏在寒冷的地方，再回到溫暖的亞熱帶哭泣，我的靈魂，我的靈魂。

女子

他繞著圍視著她的小確幸踱步，他受困在他遠大報復的不得已與無奈，她有禮點頭微笑聆聽，像個陶瓷娃娃。他的借題發揮又走越遠，繞過了古今，橫跨了中西，他在無跡可尋的連結中抓取他思路的線索，思路越清越明，他暗自跟上卻無暇說明(他不注視任何一個人，他在自己的世界裡探索）他在每一句語點來回擺盪，他在否決中肯定他的思緒在肯定中駁斥思緒中可能會引發錯誤的部分。她有禮的點頭微笑。

最後她說“那很好啊，很積極”

另外一旁的她不是片散的連結，她習慣拿著刀子直搗核心，掏啊。她尖銳的問題和煦的蓋在她的焦慮：“日常性是我自己加上的”

哎，中產階級。

Eigen Value :: Dog Days

Ulf Langheinrich :: Land IV

Kris Verdonck :: Frieze

3D FILM, AUDIO-VISUAL COMPOSITION AND LIGHT ENVIRONMENT, 2011

The work consists of video and distorted visual defects, which in professional language are called ‘noises’. The effect is achieved by combining existing video images with mathematically recreated fractal sound waves. This technique creates a stereoscopic effect, known as 3D.

Intelligent switching between the power sources in the hybrid cars results in excellent dynamics of Lexus hybrids.

Pulsing images move from one phase to another mathematically, discovering a beauty inherent in the living world. The artist is interested in texture, static and in motion, the movement per se, by itself, whether physical or programmed. This is an attempt to construct immersive environment. Langheinrich lives and works in Accra (Ghana). He is an artist of new media. His visual work is characterized by high-resolution images, pulsating plans, visual vibrations that are in tune with what might be described as choreographed sonic landscape, he produces works which overload and disorientation of the senses. In 1991 Langheinrich and Kurt Hentschlager collaborated in a project called Granular Synthesys. Exhibitions and performances by the duo took the world by storm. Since 2003 Langheinrich works independently. To date, he implemented projects such as DRIFT, WAVEFORM, HEMISPHERE (hemispherical film). One of the most recent works - LAND, the first stereoscopic film was originally commissioned for the Liverpool Biennial 2008 by FACT, Britain's biggest promoter, which exhibits and supports innovation and artists in film, video and new media. In 2005 Langheinrich became a ‘star artist’ at Ars Electronica. He is now a lecturing professor at the universities around the world. Working together with Japanese dancers Akemi Takei, and Toshiko Oyva, resulted in projects such as MOVEMENT A, MOVEMENT C, MOVEMENT X. In addition to achievements in art, Langheinrich is also a musician and artist, studied photography, composed soundtracks for several German films.

‘This is my latest artistic research in digital illusion. It consists of two key elements: the records of wave structures on the shores of Accra, the capital of Ghana and micro-wave systems of formulas, programming fractal noise. The captured material and formulas generate noise on the screen, shifting some of the parameters. As a result solid matter is transformed into a recognizable shape and consistency ... This study is based on the study of vision and sound as a form of sonic imagination. On the other side cold, technological and synthetic reality hides something intuitively warm: something deep ...’.

Key words: vibration, stereoscopy, sensing, new media, video art

Metabolism::

In the 1960s a group of JP architects dreamed of future cities and produced exciting new ideas. The visions of Kurokawa Kisho, Kikuake Kiyonori, Mak Fumihiko ad other architects who had come under the influence of Tange Kenzo gave birth to an architectural movement that was called "Matabolism."

Tange Kenzo [1913-2005]

Saint Mary Cathedral

Attached core

Kurokawa Kisho [1934 - 2007]

Prefabrication

Helix

Capsule

Kikutake Kiyonori [1928-2011]

Self Propagating System

Move-net

Tetra project

Miyakonojo civiv center

Otaka Masato [1923-2010]

Group Form

Golgi

Chandelier City

Isozaki Arata[1931-]

Skopje

1968 Ruined Hiroshima

Oita Medical Hall

Art plaza

Kawazoe Noboru [1926-]

Books

Awazu Kiyoshi [1929-2009]
Designer

: >

星期三/晚上 7:45 PM

一個有著強烈的自殺慾望之中年人，在他父親自殺一周年的當天，忍不住跑去買回了幾箱啤酒，將自己鎖在房中喝醉不省人事。
用刀片割腕，流血滿地，所幸在送往急救後復活。

在電視螢光幕上，這個患有自殺抑鬱症的人，接受訪問，他充滿信心的解說著，為何選擇死亡的無奈及一種無比的吸引力激情於他等等。

一個外科大夫，做了一個1比3的生存機會手術。在他的腦中放入一個人工電極，由導管引線接到胸前小匣子按鈕上。當他再感到壓抑失神時，按下開關，電極上的電流輸向腦中的中樞神經控制系統，精神為之一振，茅塞頓開，氣韻百倍。電流一切斷，人又開始覺得散漫無助。

一個人吐出的是呼
一個人吸進的是吸

呼和吸合起來就叫  生息
當一個人發言的時候
他停止呼吸

月色下，老人將書本奧義扔到地上

站立 停止生息

罷！罷！罷！
他吶喊著走出門外
左轉，直行，右轉，再左轉
去哪兒啦！

不過  微光下
有一個扣摟的影子
仍留在原地
徘徊 復
四竄





有個人在哭泣
他等了許久
被放棄


- 張照堂札記

Anthems for a 30 Year Old Girl

12:30 PM
It was a tremendous shock. Her hair was jet-black.
" Her natural color, of course! "

03:34 PM
貝克特繼續善用對比美學，燈光及色彩的明暗對比，幾乎成為其短劇的共同特色，如《 戲劇》(Play) 裡的光束所造成黑與白兩個極端的色差，《俄亥俄即興》(Ohio Impromptu)的聽者和讀者皆是黑帽黑衣白髮的對比色調。揆諸自古以來許多作家的作品，不難看出作家刻意以人物個性或環境的對比造成衝突，但是從來沒有人像貝克特，特別突顯二元對立，甚至把黑白兩色玩得如此徹底汗極性/ 黑和白之間無限的色差。

04:50 PM
Yellow Snake

07:30 PM
Jean - Paul Sartre & Oscar Wilde , she cried.